Recently Big Art Group sat down with Justin Bond to talk about the 10 years of Big Art Group.
Caden Manson: I’m proud of the company, and how it’s grown and the talent of everyone that’s been in it, and how they all have grown in those ten years, too. Also where we’ve been and the audiences we’ve reached, because I think it’s a unique opportunity to be able to have played the places that we’ve played in Europe and in the United States on both coasts, because the audiences are different in each place.
Nelson: The idea of the weekend at Abrons Arts Center is that it’s past, present, and future. You can come see these video installations that represent past work, “SOS Animals” and “The Imitation.” And then there’s the present, which is “The Sleep,” which is the musical collaboration that we’ve been working on with Theo Kogan and Sean Pierce. And there’s the future in “Flesh Tone,” which is our new group work, which is still in development.
Rail: I was at your very first casting call, and have seen your process: cultivating actors, and training them and getting them into the mindset and the physical exertion that it takes for the complexity of the choreography of your pieces. The first one we did, which was “CLEARCUT, catastrophe!,” had a certain amount of choreography, but it really jumped from there to the next piece, which was “Shelf Life.” With the amount of choreography and the complexity of what you had your actors do, there was probably a huge learning curve for you. But now, bringing the new actors in, I would imagine that it’s exciting for them.
Read more at Brooklyn Rail