As part of Big Art Group’s creation residency for The People – SF, Caden Manson lead a week long workshop in the company’s practice called Hybrid Bodies/Simultaneous Presence. The final two days were spent creating 4 tableaux that were incorporated into the live performance of The People – SF inside and on a 200 foot portion of the building facade. Below are the first two without sound. Origianlly played during the messenger monologue (included below)
(Text Excerpt form THE PEOPLE – SF)
I admit, I lost myself on the way homeward. It wasn’t that the open ocean, arms flung wide, had no landmarks to lead us back to our home. We lost a sense of purpose, we lost our resolution.
What we feared most of all— us the amputees, the gravel-faced, the lettuce-skinned and prosthetic-emotioned— what we dreaded with apprehension now stitched up inside of us, this dread…
We feared– We knew something about ourselves that was irrevocable. We had stepped lightly over a threshold, and now, with regret, cast a glance back.
Where is your queen, your empress? She set the trip wires of the fire, the chain that would rush across mountains and tell you we were coming home, this cursed signal. That was apt, that flame after flame would signal our approach, now from Polverigi, from Halle, watch Salzburg burning, set fire if you don’t mind, to the whole valley floor, and let the summer fill with smoke, let them choke on it, through the intervening space and landscape and you think you can control these things but how easily a spark and cinder escapes and starts its own tyranny, and I watched the fires in Cairo, I watched the fires in Kuwait, I watched the fires in LA and Oakland, I saw the buildings ablaze downtown and felt them singe and called the pyroclast my herald to let them know that we are coming home from the great purpose of our lives we are coming home in clouds and smolders and we are bearing down like wildfire on our homeland—