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Broke House © Ves Pitts
April 7, 2022

Broke House at La Biennale di Venezia Teatro June 26 & 27, 2022

La Biennale Teatro
April 3, 2022

Caden Will Be Teaching Frameworks at La Biennale di Venezia Teatro June 27 – July 3, 2022

February 3, 2021

Big Art Group in the NYTimes.

SOS
February 28, 2019

In Print: Doubleness on the New York Contemporary Experimental Stage: Bodies and Technology

April 29, 2018

Caden Manson Will Be Speaking At The Chaos & Method Symposium (Prague, CZ) May 28 & 29, 2018

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Live Video Still SOS - Customer Service Pictured @ Live Video Still SOS - Customer Service Pictured @neddershred MADISON-MORGAN Follow these instructions. ⊗ © //INTERNET CAFÉ// FIERCETWEEN4DAYS Ok. MADISON-MORGAN Press ⊗ F4 ⊗ F11 ⊗ DELETE ⊗ SLASH ⊗ BACKSTROKE ⊗ POWERDOWN ⊗ POWER UP ⊗ HOLD DOWN THE SHIFT KEY AND THE ALT-BACKSPACE-LEFT PARENTHESES ⊗ PUT YOUR FINGER IN THE SOCKET LICK THE DRIVE TRAY ⊗ F3 ⊗ F2 ⊗ F1 ⊗ PRESS ALL THE KEYS AT ONCE ⊗ TURN THE MONITOR OFF ⊗ AND BACK ON AGAIN ⊗ FIERCETWEEN4DAYS Uh-huh. Then what? ADDISON-AVERY-ALEXIS Give it a minute Materials: Plastic Party Beads, Plastic Gold Jewelry, Satin Ribbons, Colored Gaff Tape, Wielders Helmet, Metal Studs, Balloons
Just Announced! Big Art Group has been invited to Just Announced! Big Art Group has been invited to present BROKE HOUSE at @labiennale Teatro June 26 & 27, 2022. On a skeletal set webbed with video cameras, a family of characters and their hangers-on try to recall their given roles as the foundations of their dreams collapse, expelling them into a desert of their futures: part comedy, part ritual, part love spell. Image © Ves Pitts #labiennaleteatro #venice #italy
Broke House “Rather than searching for ways aro Broke House “Rather than searching for ways around death and disappointment, the queer art of failure involves the acceptance of the finite, the embrace, of the absurd, the silly, and the hopelessly goofy. Rather than resisting endings and limits, let us instead revel in and cleave to all of our own inevitable fantastic failures" ― J. Jack Halberstam, The Queer Art of Failure . . . Image ©Big Art Group
After Spectacularity lecture at Prelude 08. Materi After Spectacularity lecture at Prelude 08. Materials: Human Body, Lecture Papers, 40ft x 40ft black inflatable (void). "We are comfortable then with a prismatic self which splits our identity through multiple facets to create spectral representations of our “identity” (using a singular term for identity is misleading, but so is a plural term. An aggregate or social form might be better.) For theatre, this translates into the problem of the character, how it is assembled, represented, and injected into the matrix of the play. Since “real-world” psyches no longer adhere to individuality, Big Art Group’s image-characters are created as multiples, resurrectable transmedia projections. Our image-characters move through their worlds as through flickering states of being. Their main strategy is first and foremost their being, its ability to dissolve, spread and come back together, its persistence, its diffuseness. The image-character can never be vanquished when she exists in multiple states in multiple places, by virtue of this kind of immortal non-locatability. " - After Spectacularity
This feels relevant. "Economy vs Empathy" On a sk This feels relevant. "Economy vs Empathy" On a skeletal set webbed with video cameras, a family of characters and their hangers-on try to recall their given roles as inevitably the foundations of their dreams collapse. BROKE HOUSE https://bit.ly/3trRWxn
BROKE HOUSE - The aftermanth. pictured: @neddershr BROKE HOUSE - The aftermanth. pictured: @neddershred @davidcommander @williefarradmullins @missnicholasgorham @mattnasser @heatherlitteer - you just can't see them because they are under a pile of ©garbage.
Feeling seen. ❤️ @hito_steyerl Feeling seen. ❤️ @hito_steyerl
Who Wore it better? @bigartgroup Shelf Life 2001 o Who Wore it better? @bigartgroup Shelf Life 2001 or Golden Globes? . . . #goldenglobes #queeringtheframe #queertechnology #theatre #contemporaryperformance ntemporaryperformance
SOS @williefarradmullins in SOS. Using a video sys SOS @williefarradmullins in SOS. Using a video system of 5 stationary cameras and 4 snorricams (chest mounted) and a matrix of 8 screens and projectors. SOS is an action media performance exploring futures, survivalism, revolutionary movements, and contemporary rituals, the performance examines the notion of sacrifice to make space for a new beginning. Watch an archive video through the link in our bio.
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