About Big Art Group:

Case, Sue-Ellen. “My Screens Are Killing Me, or Watching Hurts.” Theater 42.1 (2012): 21-31. Print.

Farman, Jason. “Surveillance Spectacles: The Big Art Group’s Flicker and the Screened Body in Performance.” Contemporary Theatre Review 19.2 (2009): 181-94. Print.

Fazi, Riccardo. “Big Art Group: Il Futuro Del (non) Teatro.” Biblioteca Teatrale: Il Teatro Di Fine Millennio. Rome: Bulzoni Editore, 2006. 215-13. Print.

Gallagher Ross, Jacob. “Babes in the Woods: Big Art Group’s SOS.” Theater 40.2 (2010): 33-40. Print.

Gallagher-Ross, Jacob. “Image Eaters: Big Art Group Brings The Noise.” TDR The Drama Review 54.4 (2010): 54-80. Print.

Parker-Starbuck, Jennifer. “Big Art Group’s Body Politic.” Cyborg Theatre: Corporeal/technological Intersections in Multimedia Performance. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2011. 197-205. Print.

Jennifer, Parker-Starbuck. “Le Théâtre Cyborg.” Art Press 2.25 (2012): 85-91. Print.

Salter, Chris. Entangled: Technology and the Transformation of Performance. Cambridge, MA: MIT, 2010. 161-162. Print.

Giesekam, Greg. Staging the Screen: The Use of Film and Video in Theatre. Houndmills, Basingstoke, Hampshire: Palgrave, 2007. 4. Print.

Valentini, Valentina. Mondi, Corpi, Materie: Teatri Del Secondo Novecento. [Milan, Italy]: B. Mondadori, 2007. 22-24,39,76-77,86-87. Print.

Written by Caden Manson and Jemma Nelson

Jemma Nelson and Caden Manson. “Being Contemporary.” PAJ: A Journal of Performance and Art 34.1 (2012): 58-59. Print.

Jemma Nelson and Caden Manson. “After Spectacularity.”  Performing Politics: Politisch Kunst machen nach dem 20. Jahrhundert. Theater der Zeit. 2011. Print

Jemma Nelson and Caden Manson. “SOS ” Theater Journal 40.2 (2010). Print

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